FLASH: ROGUE WAR REVIEW [Countdown to Infinite Crisis, Part 7)

 [ACT VII - Rogue War]

• The Flash #1/2 - Rogue War, Prologue : "Tricksters" = Prelude to the end! Crazy to think that Johns Flash run is practically over, though I have some high hopes for this finale. Check ins with each faction were fun, as well as mentions of our two wild cards: The Top and Zoom! I'm excited to see more of Owen Mercer as the new Boomerang as well as how Johns will frame this story against the backdrop of Countdown. Why were the reformed Rogues looking for Gambi/Replicant? What is Hunter's plan for Linda and Wally?
• The Flash #220 - Rogue War, Part I : "Suffer Together" = Loved the Cold monologue, as well as getting to see Owen in action. The attack on the FBI outpost was a lot of fun, and I'm pretty stoked to see this clash between both groups next issue. What will Zolomon use Jay to build? Another Cosmic Treadmill? What is the significance of Cold's weird trophy thing? I feel like we've seen that thing repeatedly for some reason. I have no idea how Jesse is going to resurrect Boomerang, but I do like the fact that Ashley is getting involved somehow. The whole Gotham Central tie in pages definitely flew over my head, but I'll get around to reading that run at some point.
• The Flash #221 - Rogue War, Part II : "Fire & Ice" = Scorched Earth! This issue read extremely fast, but if its goal was to get me hyped to pick up the next issue then it succeeded in spades. Unfortunately, this book peaked on that awesome first page monologue by Heat-Wave, easily one of the best Rogues to read. I think it's great that both of these groups have hijacked the title from Wally, and it is refreshing to have the focus on them after a couple arcs centered on Wally and Barry. Roscoe Dillon returns to wreak havoc, now to finally discover if he was bluffing about the artificial reformation! Mind-wipes galore!
• The Flash #222 - Rogue War, Part III : "Top of the Heap" = I'm not the biggest fan of the Top, but I can appreciate the fact that he's thrown a wrench into this entire storyline. From the Hartley situation, it appears that Top might not have actually reformed them but is instead shifting them in this instant. RIP Roscoe Dillon, not gone soon enough. Excited to see how Zoom factors into this. Who is Owen Mercer's mother?
• The Flash #223 - Rogue War, Part IV : "...And He Shall Appear" = Awww dang. It was me, Wally! Unfortunate that the spotlight has been wrested away from the Rogues and given to these Yellow Bastards. The Flash fatigue has gotten to me, but hopefully the return of Thawne will yield some grimdark developments for the Flashes before Infinite Crisis. I did enjoy the little fast speech of Zolomon; "SPKFDVL" for Speak of the Devil...
• The Flash #224 - Rogue War, Part V : "Teachers" = Jesus Christ this is getting out of hand? What is Zolomon's goal? Does he want Wally to get enough rage to actually interfere in the past and stop him from killing his unborn children? Is that what it takes to be a true hero? Where was Boomerang zapped to, and who was the woman he encountered? Is that the mother of Owen Mercer? What is happening to Linda in the present? What time period is this Barry from? Is it the same Barry that visited Wally back in #200?
• The Flash #225 - Rogue War, Part VI : "Push" = Well dang, that was pretty good. I think Johns was able to pull it off at the end, and I can't deny that this was a pretty good finale not only for this storyline, but for this run as a whole. Overall, Rogue War wasn't as bombastic as Crossfire or Blitz due to the jarring nature of the plot shifting gears multiple times. We go from a concentration on the Rogues to dealing with the top to fighting the Reverse Flashes through time, but I guess the only way to make a Flash story with high stakes is to make the plot itself schizophrenic and have twists and turn coming at you full speed. This may be controversial, but I think the Flash has been one of his weaker runs, even though this is probably the best run I've read on the character so far (though I am loving Jeremy Adams take as of this post). The high points were the period between Blitz and Identity Crisis where we got to see Wally grow and mature as he dealt with the fallout of his marriage and losing a child. Once we get through Infinite Crisis, I'm definitely excited to read Johns' second short and sweet run right before Flashpoint.

Identity Crisis + Flash: The Secret of Barry Allen Review

[Identity Crisis] ~ {Written by Brad Meltzer}

• Identity Crisis #1 - "Coffin" = And away we go! Coming back to this after so many years was a breath of fresh air. For all the haters this book has, Meltzer and Morales show them up completely with sleek and yet classic art paired with powerful prose. Meltzer does an incredible job of sucking you in; while many dig on the retcons, Meltzer finds a way to stay true to the personalities of these characters, it all feels real. I can't recall a death in the DC universe being this meaningful since Supergirl and Flash during the Crisis, or even the Man of Tomorrow himself. The use of minor characters by Meltzer is excellent as well; Bolt and Calculator on the phone makes the universe seem so big, a commodity that just doesn't seem to exist in today's DC landscape. The foreshadowing is wonderful as well, and I do believe the murder-mystery to be one of the strongest aspects of this story.
• The Flash #213 - "Slow Motion" = So that's why Mirror Master's nose was bleeding! This issue suffered from the same problem I have with most Flash books; any villains besides the classic Rogues and Reverse Flashes are absolute trash. You can try to spin the Turtle to be a foil of Flash as much as you want, but at the end of the day he's still a stupid and boring character. The reveal that Ashley Zolomon didn't die in the crash came as a surprise to me, but the fact that Hunter somehow got out is even more interesting. Howard Porter's art wasn't that great in this, I'm hoping it gets better in time for Rogue War. The Identity Crisis mentions were fun, my only peeve was the discrepancy between how Boomerang looks in this compared to the actual IC book.
• Identity Crisis #2 - "House of Lies" = This is a tough book! As much as I understand the criticisms, everything else is so good! The c-listers and their underworld, the satellite league justifying themselves to the Wally and Kyle, and my boy Pieter Cross gets a sequence! Compared to any Millar or Ennis indulgent edginess, the rape scene done in this book was done as tastefully as one of these scenes can be done. The framing of the Leaguers mentalities at the moment of the mind-wipe makes sense, and I enjoyed the mention of Barry's decision being influenced by the death of Iris West. Merlyn dishing out crap on each of the villains is so much fun, and I'm excited for more of these snippets across the rest of the book.
• Identity Crisis #3 - "Serial Killer" = Super-Brawl! I for one love this fight; a perfect fusion proving and disproving the famous adage, "No plan survives first contact with the enemy...". Ollie breaking Slade's concentration is such a great way to take out the one-eyed assassin, and the quarrel that ensues is hilarious. Meltzer's internal monologue for Ollie is fantastic, and definitely makes me want to check out his Green Arrow run. The manner in which Light's memories are reactivated is wonderful, and I sure as mess spotted the foreshadowing in the flashback discrepancy. Ollie explaining to Wally the justifications for the mind-wipes may create a sense of grimdark infecting the bronze age, poisoned nostalgia, but this stuff makes sense! The clean-up works in the League's continuity! Ollie's line regarding him and Carter's differences is great, that is easily one of my favorite rivalries/friendships in all of comics. The Tim Drake sequence is easily the least interesting, but the set-up makes sense given what happens later in the series. Framing the ending with Jimmy cutting to Jean being "attacked" works flawlessly, and Rags executes every panel with grace and precision.
• Identity Crisis #4 - "Who Benefits?" = Gah damn, it just gets better and better! While the red herrings increase by the page, what gives this book life is how the DC universe responds to the mystery. The sequences with the villains, Batman's increased paranoia, the Slipknot scene, and even Spectre Hal coming down to increase the stakes. We can definitely say that Ollie is secured as our viewpoint character going forward, and I am not complaining whatsoever: he's the perfect fit for the tone of this story. The villain scenes are still my favorites, Meltzer has turned Merlyn and Calculator into some of my favorites.
• The Flash #214 - The Secret of Barry Allen, Part I : "Dear Wally..." = Fantastic issue! Johns was able to balance the run's current plot points alongside the fallout from IC extremely well. Wally's built-up despair has snowballed since Blitz and Ignition, and it spilling into this arc sets us up for some fascinating character exploration alongside this mystery surrounding Barry's letter. I enjoyed the reveal of the League's meeting with Wally from #209, connecting the mind-wipe themes. Once again, Ollie stole this issue and is continuing to steal this whole event with his witty dialogue and engaging pathos as a result of him and the League's sins being found out.
• Identity Crisis #5 - "Father's Day" = Dang! This book is a blast to read, mainly because I can agree with the criticisms while still getting everything I want out of it. You can definitely see the editorial mandates starting to seep into the narrative: Firestorm's random death, Jack Drake pruned to get Tim Drake into the orphan club and give him some pathos. The Boomerang death sticks for me, mainly because I'm eager to learn more about Owen Mercer. That whole sequence was very well put together in my opinion, and even though the image of an obese and disheveled Captain Boomerang busting into the Drake home is pretty jarring, Meltzer and Morales find a way to keep me engaged through every single panel.
• The Flash #215 - The Secret of Barry Allen, Part II : "Reformed" = Wow, I guess I was expecting something completely different. Let's get this over with; I don't care about the Top or whatever happened to his mind as a result of Zee's magic. The hilariously dumb and convoluted silver age lore dump on Roscoe Dillon brought some chuckles, but Barry's plan and execution was absolutely trash. I'm glad they're following up on the Top's scene from #210, but if we could just get to the Rogue War stuff already! The Wally pathos is still great, and the IC snippets were the standouts; let's see Zatanna try to put this rabbit back in the hat!
• JSA #67 - "The Autopsy" = Just wow. This might have been one of the best issues of JSA ever. Dave Gibbons killed this entire issue, though I shouldn't be surprised since he drew the greatest comic book ever. This whole book was a perfect storm: great art, great writing, tie in to a great event, and centered on the best member of the JSA: my boy Pieter Cross. The pacing and splicing of the check-ins with each JSA member were fantastic, but that Wildcat Mirror Master sequence had to be the best. The Power Girl stuff had me a bit confused until I remembered that at the end of the Loeb Supergirl S/B arc they kept Kara in hiding to prevent Darkseid's forces from coming back to kill her. Terrific and Mid-Nite cement their bro-bond (if they haven't already) in this, and I loved Michael going to confront his wife's accidental killer in the midst of all this IC chaos.
• Identity Crisis #6 - "Husbands & Wives" = Aftermath! The sequence with the lost family members of the JLA was fascinating: so much history in each member, a wonderful fusion of Bronze Age and Post-Crisis elements to give each character weight like we've been alongside their struggles and losses for years. There's something about Doctor Light remembering the rape that is extremely unnerving, I'm eager to see how this plays out in the upcoming Teen Titans arc. If I'm not mistaken, this whole event is what spawns the Green Arrow/Deathstroke rivalry that gets folded into the zeitgeist (Arrow) which I think is really cool. Now about that final sequence... GAH DAMN! Meltzer does an insane job of building that tension, and the biggest red herrings of all red herrings is planted, a twist to trick before the twist of the final issue!
• The Flash #216 - The Secret of Barry Allen, Part III : "Spinning" = I'm not sure if it's a result of the heavy hand of editorial, but why do comics require the invasive recap in the first couple of pages? It's kind of hard to get to the plot when there's a giant info dump shouting in your face. As for the twist, I get what Johns is going for, and I will admit that I am intrigued. The idea that this d-list villain used his powers to trick the Flash Rogues Gallery into reforming while maintaining the ability to turn it off at any moment is kinda cool. The classic Rogues may not get personal, but Johns has created the circumstances for Wally's villains (Top, Zoom, Grodd) to get pretty damn personal. It's a lot easier to see now that the Top will in fact be a major player in the Rogue War, given the scene with James Jesse's Rogues framing them as the future victims of the Top. The lovely red herring during the final sequence had me genuinely happy; someone needs a win right now!
• Identity Crisis #7 - "The Hero's Life" = What is most impressive about this final twist is that the set up for Atom being the murder has some perverted sense to it. Atom wanted his wife back, so he engineered this entire crisis to make way for her back into his arms. He leaves the JLA during #214 of the Flash to go set up that attempted murder of Jean Loring, he hires Boomerang, he sends the letter to Lois and the gun to Jack Drake. But it's not him, Ray is a Silver Age darling, nothing could justify him breaking bad, he's untouchable, it couldn't be him... but it could be his wife! Man, this one hurts, but it's supposed to I guess. Like the Arthur Miller quote included in this, Identity Crisis is the death of the Silver Age. It's a tone setter, a prelude for the end of the Post Crisis universe, an appetizer for the comics Dark Age of the 2010's. It hurts, but this book is so damn good that I just might have to keep on chewing. One of the saddest parts is that we won't be seeing Ray Palmer until that horrendous Countdown book (which I may or may not force myself to read in the far future). As for the mind-wipe ramifications, this is exactly what leads into Countdown to Infinite Crisis and the OMAC Project; that final scene with Bruce staring down Wally was perfect, the framing of Wally and the lasso of truth, and I like to think that in that moment he knows.
• The Flash #217 - "Post-Crisis" = WHAT THE HECK WAS THAT LAST PAGE? Jesus Christ, that actually made me audibly gasp. I really enjoyed this issue, great segmentation of Wally/Linda + Digger's funeral + Batman confrontation. The Hunter/Cheetah stuff was fun as well, and it seems like it's setting up the upcoming two part crossover. I do wonder what Bats said to Dick when he joined the Titans, but I was expecting some kind of mention of the mind-wipe stuff to follow up the Identity Crisis threads a little more. Then again, I don't think Bats would go to his face; he's definitely more likely to take other measures...
• The Flash #218 - "Rogue Profile: Heat Wave" = That was fire! I can tell it's hit or miss with these Rogue centered issues based how much I care, but when you get Johns and THE Peter Snejbjerg to do a book on Heat-Wave, you best know I'm going to read the mess out of it. It was so easy to get sucked into Mick's narration, and I love how Johns is able to set him and his motivations apart from the others. I get that the whole gallery has distinct personalities, but you can really tell when Johns hits the mark. The re-framed rivalry between Heat-Wave and Cold sets up an exciting conflict for the upcoming Rogue War, and I'm very interested to see how this and the other threads play out.

Flash by Geoff Johns #201-212 Review

Ignition [#201-206]

• The Flash #201 - "Driven" = Very interesting premise. The art is a little jarring at first but once I got used to Dose's style, I could see that it very much suits the story Johns is trying to tell. The new continuity/status quo of Keystone is really fascinating, and I'm stoked to see how this played out. Did Wally lose his powers completely? Did the lightning hitting the car re-activate them, or is he regaining them? Who gave Wally the Flash ring?
• The Flash #202 - "Shifting Gears" = What the heck is going on! This issue was huge step up, and the last one was not bad in any way at all. Dose's art reminds me of some kind of fusion between Warhol Pop art + Steranko/Kirby + Hernandez Love and Rockets styles. Johns is a master of dialogue when he likes the character, and his internal voice for Wally is perfection. The mystery boxes are scattered all across this issue: who is the blonde on the motorcycle (golden glider?)? What's the deal with that new rogue profiler Petrov? Why can't Wally control his power? Is it because of the amnesia, or something else entirely?
• The Flash #203 - "Crash & Burn" = I'm loving this! The Snart/Wally sequence in the diner was fantastic and easily one of the best moments in this storyline so far. The Ashley Zolomon reveal was great, and Reece being suspicious makes me think that she might be the mysterious racer. The final twist with Mister Element was hype, and direction this seems to be going is totally my kind of story. I'm beginning to see the intention of "Ignition": an attempt for Wally to deal with his guilt following Run Riot + Blitz as well as giving Johns a Silver Age-esque imaginary story for him to play around with. Whatever it is, we are winning a great story out of it.
• The Flash #204 - "Cold Reality" = "WTF comics" everybody! I caught the bats foreshadowing in the Linda sequence, but I did not expect him to show up with memory of the previous reality! Newbaddie Ashley Zolomon, Mister Alchemy set-up being paid off in this Mister Element persona, and Wally is finally starting to remember the truth. Could Ashley be the mysterious racer? Is Linda really infertile! What is Element's motive? How does Bruce factor into this?!
• The Flash #205 - "Secrets" = So I guess I've been misunderstanding this entire storyline up to this point? No new reality, no lateral timeline, just a big ole mind-wipe. The interaction with Bats is great: his hostility to even the slightest mention of Hal is pretty hilarious and in-line with how Johns seems to want to characterize him from this point forward (alongside all the other cynicism that will be coming). I figured out the final reveal the minute Petrov said the words cold shoulder to Zolomon; the Alchemy explanation last issue was way too simple. What was Iris talking on the phone with Jay about?
• The Flash #206 - "Up To Speed" = A bit of an anti-climax for such an engaging set up. Some great moments: I especially enjoyed the dynamic presented with Cold and Wally. "Born good or bad. We'll never know, will we, Len?" We get a classic escape route trope of classic villain kills new edgy villain, even though Petrov as a new Mister Element was pretty interesting in his own right. The melo-drama isn't as interesting, but this new angle with Ashley could be cool.

Before The Storm [#207-212]

• The Flash #207 - "Rush Hour!" = From bad to worse! For as fast as he is, Wally West can never seem to catch a break. Up to this point in my journey through John's DC bibliography, I would have to say that Flash is probably the weakest of his works. The main reason I say this is because of the inherent mundane/repetitive nature of the Flash book, and the reliance on the charisma of Wally West and Barry Allen. The threats will always be the Rogues or a "reverse-flash" of the month, while the soap-trope drama is what keeps the book standing on two legs. This is why arcs like Blood Will Run and Ignition are so much fun, mainly because the Flash is put into a situation we've never seen before (cultists + mind-wipe): a much preferred story than the tiresome Rogue wars and freak of the week stuff. Johns has already written the ultimate Rogue story (Crossfire) and the ultimate Reverse Flash story (Blitz), so an issue where the Rogues are yet again planning against the Flash + fighting the Flash at a parade (oh but this time they're led by Abra Kadabra!) falls pretty flat. The Spectre stuff was great, and seeing the Golden Giants were cool, but I could care less about fighting Tar Pit and Plunder.
• The Flash #208 - "Red Carpet" = Regardless of my concerns in the previous entry, this issue was a lot of fun, mostly because of the inclusion of Jay Garrick and Bart Allen. The angle Johns is tackling in this arc is very interesting: a commentary on the hero worship that the twin cities has for the Flash lineage. The guards in Iron Heights, the civilians rebuilding the museum, all coming at the worst possible moment for Wally West. The anecdotal background stuff Johns includes about Garrick cements my love for him, and I think it's very interesting that Hal/Spectre came to them and Iris to reveal the nature of the mind-wipe. What do they need to tell Wally about Iris? We finally get some continuation of the James Jesse plotline, and I had to go back and find where he last appeared, almost 20 issues back during the Pied Piper spotlight (#190). James is working with Piper and Heat-Wave IIRC, and if this blonde is the mysterious racer from the Ignition arc (possibly Ashley Zolomon or Snart's sister Golden Glider?), then we are in for something fun. Mentions of Boomerang hint at his role in Identity Crisis, Grodd lurks behind the scenes, and the JLA prepare to interrogate Wally (sans Batman, who already knows).
• The Flash #209 - "Fast Friends" = If your wife leaves you, your city is attacked by colorful criminals every waking second, and the whole world doesn't remember your name after the embodiment of God's vengeance wielding the ghost of a dead friend mind-wiped the planet, Superman is there to fix everything with charisma, understanding, and his mother's cooking. The highlight of this chapter was John's internal monologue for Wally. His skill getting into the mind of his POV characters is a feat to behold, and this has been without a doubt one of the biggest strengths of this run. I loved Wally's perspective on each member of the JLA, and it made me sad to see how the DC universe was operating right before the storm that is Identity and Infinite Crisis.
• The Flash #210 - "Reconnected" = Flash and Nightwing team up! The Batman influence since Ignition is extremely apparent, and the similarities between both of these heroes and their families is highlighted to the highest degree: massive rogues galleries, big legacies/families, associations with the law and police, and now with Blitz being Wally's very own Killing Joke/Death in the Family. I love the dynamic between Wally and Dick, the idea of characters having a literal in universe history of over 80+ years of friendship is something that only comics have. You can truly feel the earned friendship and bond between these heroes, the weight of their emotions is cemented by their sprawling adventures in the Teen Titans. I'm interested in the James Jesse plotline, and the hinting towards Rogue War has begun. The Ashley Zolomon stuff was fun too, although we haven't uncovered what her place going forward will be.
• The Flash #211 - "Animal House" = They really just killed Ashley Zolomon? Was it the Top? Was it Hunter? Was it Wolfe? I don't know whether to be angry or sad because I was hoping/expecting a completely different angle for her character in the following issues. I'm sure this will have consequences when Hunter eventually gets out (if he didn't kill her himself). The Grodd fight was great, more enjoyable than the past two fights (maybe because of recency bias). Howard Porter's art has been fantastic these past couple issues, a worthy follow up to Scott Kolins. Wally's arc getting through his martial struggles is very compelling, and brings some serious weight to the results of Blitz and Ignition. I very much enjoy how Johns has brought Wally's support system to showcase in these chapter, each bringing a new and differentiated perspective to help Wally. Let's see how Johns finishes this one off before Identity Crisis.
• The Flash #212 - "Mirror, rorriM, On The Wall" = EYM NEVAR LEEVIN WUNDERLAND! Great issue, only slightly brought down by the mid-tier art. Loved the backstory on McCulloch, and especially loved that Johns connected it to his original first appearance in Morrison's Animal Man series. The internal monologue for MM was so much fun, and I loved some of the themes overlayed between his life pre-costume and embracing the rogue persona with the never-ending cycle of hero vs villain; the reflection never ends! Still no answers as to what James Jesse is planning, or what they were doing to give MM nose bleeds, or what happened to Wally in the Ashley situation, but that's for next volume I guess!